Recognized As One Of The Modern Stylist Of The 20th Century:The Humble Eileen Gray
March 4, 2010
Recognized as a finest pioneer of the Modern design movement Eileen Gray is an architect, stylist and pioneer of the Modern design movement. Her ideas for furniture exceeded the conferences of traditional furniture design and helped covered the way for modern furniture creation.
Born on August 1878 close to the town of Enniscorthy, Ireland, Kathleen Eileen Moray Gray was the youngest daughter of the well-to-do Scottish-Irish Gray clan, Eileen Gray studied at the Slade School of Fine Art in the University College – London but later transferred to the Académie Julian and the Académie Colarossi in Paris in Paris, France when her father died in 1900. Gray settled in Paris until 1905, where she travelled to London, England to care for her sick mother. During her stay in London, Gray studied lacquer-work under the tutelage of Seizo Sugawara, a Japanese lacquer-work establisher working at the Exposition Universelle in Paris.
Eileen Gray first started her career as a lacquer artist, then as a furniture stylist and eventually as an architect. Gray used five strenuous years learning lacquer-work from Sugawara, even to the time where she acquired a excruciating “lacquer disease”. Even though her setbacks, Gray however persevered and displayed her creations for the first time at the Salon des Artistes Décorateurs in 1913
Most likely what most persons recognize Eileen Gray for today is that of her work at Rue de Lota subsurbs in Paris. In 1917, Gray was appointed by Mathieu Levy to redecorate the interior of her apartment in Rue de Lota. The plan, which endure until 1921, saw Gray designing everything from the rugs on the floor to the decorative “Block Screen” lacquered wall plates. It was also during the Rue de Lota plan where Gray introduced some of her now-established furniture works, including the Bibendum chair, the Serpent chair, and the Biboquet table.
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